I Paused My Game To Be Here 8 Bit T Shirt
Not only the products are shown in the selection, but we also offer other products with this design. Below is a list of products available, Please contact us if you do not see this product in our product options. We will contact you within 12 hours And you will have the product according to your requirements, see more on the available products. Click here to buy this shirt: Click here to buy this I paused my game to be here shirt Silhouettes were full, and the assembly of pieces used to achieve them—what the designer called a “potpourri”—was eclectically and raffishly combined. “What I really wanted to express was the free soul of the artist, and how he creates his own elegance,” said Curradi backstage. “There were elements mixed from the ’90s, the ’80s, and the ’40s.” The result was a collection that did all the hard work in conjuring an aura of insouciant panache so its wearers won’t have to. Salut! Robert Geller is about to embark on a yearlong sabbatical to Portugal with his family, taking a pause from the New York fashion world for a bit. The connection between Geller’s stepping back from the circus of fashion and his circus-themed Spring 2020 collection isn’t that direct he says he started to think of the circus and Sarah Moon’s hazy photographs on a flight last year but it’s hard not to draw a comparison. Even without the pomp and circumstance of a show, Geller is making some of American fashion’s most show-stopping menswear. As always, his base is his materials and dyes. In the former category, he has incorporated spandex into more of his fabrications, inspired by his ongoing collaboration with Lululemon. Geller’s comfortable, athletic garments have only become more agile. Even more invigorating is his new palette. Rather than labor over an exact shade of sandstone or clay, as he often does, Geller’s ditched his earth tones this season in favor of something more fabulous. The slime green stripes that cut through a nylon coat or the metallic azures that make up a shimmering suit are far more electric than what we’ve come to expect from the earthy designer. But if it’s not evident yet, Geller is ready for a change. The experimentation doesn’t stop there. For the first time in Geller’s career, he is using sequins on tanks, trousers, and shorts. “I wanted to get myself out of my comfort zone,” he explains. It’s a funny way of putting it; the backs of the sequin garments are actually made of nylon ripstop, so they are comfortable to sit in. Even with a fantastical mood haunting this season, amplified by wigs by Chrystoph Marten, Geller can’t help but be pragmatic. Yes it is a bubble, although most people want to believe it is not. If you study the fundamentals like the Income Statements quarterly for the past 12 quarters you will find that fundamentals are lagging for many of this high-flying companies. If a company has negative earnings, as some tech companies that are being speculated do have negative or declining earnings or revenues or both, then this is considered a bubble. This is why the several tons of damp clay taken from the L.A. studio of British artist Thomas Houseago—who has a statue currently installed in the center of the Palais de Tokyo courtyard as part of his “Almost Human” show at the Musee de l’Art Moderne—made for such a fitting addition to this show’s mise-en-scène. Houseago, Owens reported, had been on set to oversee the installation of the clay and even ended up creating a small sculpture (one that Owens fully intended to pinch, fire, and add to his collection). Houseago was just one in a chorus of creative voices that harmonized around this collection. Although there were some very overtly personal and Mexican touches, such as sequins reflecting China Poblana festival wear and the Aztec Eagle logo of the United Farm Workers’ association, for whose Mexican migrant pickers Owens’s father often worked as a translator in the California courts (these garments and a piece of jewelry will be sold to benefit the UFW), he said he was very careful to avoid the folkloric side of Mexican culture. Instead, he said, he had become fascinated with the effect of Mexican culture on the work of Josef and Anni Albers, the subject of a recent-ish show at the Guggenheim. Owens expounded: “I loved that combination of modernism with something so ancient. Looking at the drawings they made that were inspired by the sites was the Mexico angle I wanted.” With the exception of some Perspex-heeled platforms and rough tire-sole cowskin sandals that caused much trepidation as the models descended steps while keeping their eyes fixed on the pit, it was also a collection abrim with highly wearable pieces. Personally I loved the cotton jackets in black and white set with austere, angled grids of ribbon and lacing, which was sometimes reflected in a riot of lacing on a Veja collab sneaker and looped into the fabric of some loose wool track pants. The sequins incorporated one-color oversize tailoring and looked pleasingly sleazy, while metallic-finished outerwear boasted a brutal industrial shimmer. In collaboration with Champion, Owens primitivized its cotton jersey via transformation into togas and loincloths. The fundamentals of most companies are not keeping up with the financial damage done by the pandemic and as the US continues to have soaring covid cases this will further create more stress on corporations. For now speculation is running ahead of the fundamentals especially for this quarter. Biotechnology is in a huge bubble in terms of the numbers of new Biotech IPOs being underwritten that have no revenues or earnings but retail investor rush to buy them. Daisuke Obana recently went to London and decided to run by all of the city’s iconic fashion spots, from Savile Row to Worlds End to Portobello Road. “It was really a tourist trip,” he said with a laugh. Still, the designer found fresh inspiration in those staid signposts. Though the idea of reworked British classics has been done to death, Obama executed his version precisely enough that it still came through clearly as N.Hoolywood. A spare presentation unfolded at the BMCC Tribeca Performing Arts Center, a shoebox theater that was left pitch black, save for four central spotlights. To the sounds of Beethoven, models walked out one by one and stood briefly before the audience, a somewhat performative show that referenced the installations Obana first created when he started, 18 seasons ago. Given the twist on British fashion, one saw all the usual tropes: trench coats and schoolboy shorts and pinstripe suits, as well as a punky red plaid, which Obama had pulled from Undercover designer Jun Takahashi’s archive. (A special tag read “Rebel Print by Undercover.”) Obama also created a graphic of pharmaceutical pills, which could have read as a tired reference to punk drug culture, but it actually came from an oddly pleasing spam email that reminded Obana of English artist Damien Hirst’s 1992 “Pharmacy” installation and helped make it his own. Federico Curradi is finding his groove at Rochas. This annoyingly standing-format show (how to type?) was packed full of engaging all-organic garments, soft and flowing, and bohemian. Curradi said he’s trying to make an artist’s wardrobe and who doesn’t want to look like an “artist,” right? Since decamping to Paris from Florence, he’s tried to suffuse himself in Frenchness, and for this collection consulted Ed van der Elsken’s Love on the Left Bank and Helena Janeczek’s The Girl With the Leica what a story with which to conjure atmospheric touches to his garments. Inspired by Gerda Taro’s bravery and resolve (if you don’t know it, please Google her story; it’s amazing), he incorporated soft embroidery detailing on weathered military-uniform-inspired trenches and shirting in silk and cotton. Not intentionally, but back when Nylon was a fashionable material for swimwear, I’ve deliberately bought one a size or two too small (since they used to stretch very well!), forgetting that Nylon also becomes a LOT more translucent when wet. Wore that number on a local beach, and had a mortifying experience after a swim. Suffice to say relatives told me that I may as well have been completely naked – so that was the last time that item was worn. 6 Available products for I paused my game to be here shirt: Classic Men’s Shirt Classic Women’s Shirt Women’s The Boyfriend Tee Women’s Heather Wicking Tee Women’s Scoop Neck T-shirt Women’s Slouchy top Women’s Organic Tee Men’s Short Sleeve Tee Unisex Jersey Short Sleeve Tee Men’s Cotton Crew Tee Unisex Ultra Cotton Tee Men’s Heather Dri-Fit Tee Men’s Polo Shirt Men’s Jersey Polo Shirt Unisex Ringer Tee Men’s Lightweight Fashion Tee Men’s V-Neck Unisex Jersey Short Sleeve V-Neck Tee Women V-Neck Women’s Jersey Short Sleeve Deep V-Neck Tee Unisex Hoodie Unisex Heavy Blend™ Full-Zip Hooded Sweatshirt Men’s Lightweight Zip Hooded Sweatshirt Unisex French Terry Zip Hoodie AOP Unisex Zip Hoodie Unisex Longsleeve Unisex Jersey Long Sleeve Tee Unisex 3/4 Sleeve Baseball Tee Unisex Tri-Blend 3/4 Raglan Tee Men’s Varsity Jacket Youth T-shirt Sweatshirt Unisex Tank Top Men’s Sleeveless Performance Tee Women’s Cut & Sew Racerback Dress Women’s Pencil Skirt Women’s Cut & Sew Casual Leggings Women’s Sponge Fleece Wide Neck Sweatshirt Kids Regular Fit Tee Infant Long Sleeve Bodysuit Mug $22.99 Phone Case Bags Unisex Flip-Flops Available Size: XS, S, M, L, XL, 2XL, 3XL, 4XL, 5XL Available Color: Black, Cardinal Red, Forest Green, Gold, Navy, Royal, Sport Grey, White… Visit Etsytees This product belong to trung-cuong I Paused My Game To Be Here 8 Bit T Shirt Not only the products are shown in the selection, but we also offer other products with this design. Below is a list of products available, Please contact us if you do not see this product in our product options. We will contact you within 12 hours And you will have the product according to your requirements, see more on the available products. Click here to buy this shirt: Click here to buy this I paused my game to be here shirt Silhouettes were full, and the assembly of pieces used to achieve them—what the designer called a “potpourri”—was eclectically and raffishly combined. “What I really wanted to express was the free soul of the artist, and how he creates his own elegance,” said Curradi backstage. “There were elements mixed from the ’90s, the ’80s, and the ’40s.” The result was a collection that did all the hard work in conjuring an aura of insouciant panache so its wearers won’t have to. Salut! Robert Geller is about to embark on a yearlong sabbatical to Portugal with his family, taking a pause from the New York fashion world for a bit. The connection between Geller’s stepping back from the circus of fashion and his circus-themed Spring 2020 collection isn’t that direct he says he started to think of the circus and Sarah Moon’s hazy photographs on a flight last year but it’s hard not to draw a comparison. Even without the pomp and circumstance of a show, Geller is making some of American fashion’s most show-stopping menswear. As always, his base is his materials and dyes. In the former category, he has incorporated spandex into more of his fabrications, inspired by his ongoing collaboration with Lululemon. Geller’s comfortable, athletic garments have only become more agile. Even more invigorating is his new palette. Rather than labor over an exact shade of sandstone or clay, as he often does, Geller’s ditched his earth tones this season in favor of something more fabulous. The slime green stripes that cut through a nylon coat or the metallic azures that make up a shimmering suit are far more electric than what we’ve come to expect from the earthy designer. But if it’s not evident yet, Geller is ready for a change. The experimentation doesn’t stop there. For the first time in Geller’s career, he is using sequins on tanks, trousers, and shorts. “I wanted to get myself out of my comfort zone,” he explains. It’s a funny way of putting it; the backs of the sequin garments are actually made of nylon ripstop, so they are comfortable to sit in. Even with a fantastical mood haunting this season, amplified by wigs by Chrystoph Marten, Geller can’t help but be pragmatic. Yes it is a bubble, although most people want to believe it is not. If you study the fundamentals like the Income Statements quarterly for the past 12 quarters you will find that fundamentals are lagging for many of this high-flying companies. If a company has negative earnings, as some tech companies that are being speculated do have negative or declining earnings or revenues or both, then this is considered a bubble. This is why the several tons of damp clay taken from the L.A. studio of British artist Thomas Houseago—who has a statue currently installed in the center of the Palais de Tokyo courtyard as part of his “Almost Human” show at the Musee de l’Art Moderne—made for such a fitting addition to this show’s mise-en-scène. Houseago, Owens reported, had been on set to oversee the installation of the clay and even ended up creating a small sculpture (one that Owens fully intended to pinch, fire, and add to his collection). Houseago was just one in a chorus of creative voices that harmonized around this collection. Although there were some very overtly personal and Mexican touches, such as sequins reflecting China Poblana festival wear and the Aztec Eagle logo of the United Farm Workers’ association, for whose Mexican migrant pickers Owens’s father often worked as a translator in the California courts (these garments and a piece of jewelry will be sold to benefit the UFW), he said he was very careful to avoid the folkloric side of Mexican culture. Instead, he said, he had become fascinated with the effect of Mexican culture on the work of Josef and Anni Albers, the subject of a recent-ish show at the Guggenheim. Owens expounded: “I loved that combination of modernism with something so ancient. Looking at the drawings they made that were inspired by the sites was the Mexico angle I wanted.” With the exception of some Perspex-heeled platforms and rough tire-sole cowskin sandals that caused much trepidation as the models descended steps while keeping their eyes fixed on the pit, it was also a collection abrim with highly wearable pieces. Personally I loved the cotton jackets in black and white set with austere, angled grids of ribbon and lacing, which was sometimes reflected in a riot of lacing on a Veja collab sneaker and looped into the fabric of some loose wool track pants. The sequins incorporated one-color oversize tailoring and looked pleasingly sleazy, while metallic-finished outerwear boasted a brutal industrial shimmer. In collaboration with Champion, Owens primitivized its cotton jersey via transformation into togas and loincloths. The fundamentals of most companies are not keeping up with the financial damage done by the pandemic and as the US continues to have soaring covid cases this will further create more stress on corporations. For now speculation is running ahead of the fundamentals especially for this quarter. Biotechnology is in a huge bubble in terms of the numbers of new Biotech IPOs being underwritten that have no revenues or earnings but retail investor rush to buy them. Daisuke Obana recently went to London and decided to run by all of the city’s iconic fashion spots, from Savile Row to Worlds End to Portobello Road. “It was really a tourist trip,” he said with a laugh. Still, the designer found fresh inspiration in those staid signposts. Though the idea of reworked British classics has been done to death, Obama executed his version precisely enough that it still came through clearly as N.Hoolywood. A spare presentation unfolded at the BMCC Tribeca Performing Arts Center, a shoebox theater that was left pitch black, save for four central spotlights. To the sounds of Beethoven, models walked out one by one and stood briefly before the audience, a somewhat performative show that referenced the installations Obana first created when he started, 18 seasons ago. Given the twist on British fashion, one saw all the usual tropes: trench coats and schoolboy shorts and pinstripe suits, as well as a punky red plaid, which Obama had pulled from Undercover designer Jun Takahashi’s archive. (A special tag read “Rebel Print by Undercover.”) Obama also created a graphic of pharmaceutical pills, which could have read as a tired reference to punk drug culture, but it actually came from an oddly pleasing spam email that reminded Obana of English artist Damien Hirst’s 1992 “Pharmacy” installation and helped make it his own. Federico Curradi is finding his groove at Rochas. This annoyingly standing-format show (how to type?) was packed full of engaging all-organic garments, soft and flowing, and bohemian. Curradi said he’s trying to make an artist’s wardrobe and who doesn’t want to look like an “artist,” right? Since decamping to Paris from Florence, he’s tried to suffuse himself in Frenchness, and for this collection consulted Ed van der Elsken’s Love on the Left Bank and Helena Janeczek’s The Girl With the Leica what a story with which to conjure atmospheric touches to his garments. Inspired by Gerda Taro’s bravery and resolve (if you don’t know it, please Google her story; it’s amazing), he incorporated soft embroidery detailing on weathered military-uniform-inspired trenches and shirting in silk and cotton. Not intentionally, but back when Nylon was a fashionable material for swimwear, I’ve deliberately bought one a size or two too small (since they used to stretch very well!), forgetting that Nylon also becomes a LOT more translucent when wet. Wore that number on a local beach, and had a mortifying experience after a swim. Suffice to say relatives told me that I may as well have been completely naked – so that was the last time that item was worn. 6 Available products for I paused my game to be here shirt: Classic Men’s Shirt Classic Women’s Shirt Women’s The Boyfriend Tee Women’s Heather Wicking Tee Women’s Scoop Neck T-shirt Women’s Slouchy top Women’s Organic Tee Men’s Short Sleeve Tee Unisex Jersey Short Sleeve Tee Men’s Cotton Crew Tee Unisex Ultra Cotton Tee Men’s Heather Dri-Fit Tee Men’s Polo Shirt Men’s Jersey Polo Shirt Unisex Ringer Tee Men’s Lightweight Fashion Tee Men’s V-Neck Unisex Jersey Short Sleeve V-Neck Tee Women V-Neck Women’s Jersey Short Sleeve Deep V-Neck Tee Unisex Hoodie Unisex Heavy Blend™ Full-Zip Hooded Sweatshirt Men’s Lightweight Zip Hooded Sweatshirt Unisex French Terry Zip Hoodie AOP Unisex Zip Hoodie Unisex Longsleeve Unisex Jersey Long Sleeve Tee Unisex 3/4 Sleeve Baseball Tee Unisex Tri-Blend 3/4 Raglan Tee Men’s Varsity Jacket Youth T-shirt Sweatshirt Unisex Tank Top Men’s Sleeveless Performance Tee Women’s Cut & Sew Racerback Dress Women’s Pencil Skirt Women’s Cut & Sew Casual Leggings Women’s Sponge Fleece Wide Neck Sweatshirt Kids Regular Fit Tee Infant Long Sleeve Bodysuit Mug $22.99 Phone Case Bags Unisex Flip-Flops Available Size: XS, S, M, L, XL, 2XL, 3XL, 4XL, 5XL Available Color: Black, Cardinal Red, Forest Green, Gold, Navy, Royal, Sport Grey, White… Visit Etsytees This product belong to trung-cuong
Not only the products are shown in the selection, but we also offer other products with this design. Below is a list of products available, Please contact us if you do not see this product in our product options. We will contact you within 12 hours And you will have the product according to your requirements, see more on the available products. Click here to buy this shirt: Click here to buy this I paused my game to be here shirt Silhouettes were full, and the assembly of pieces used to achieve them—what the designer called a “potpourri”—was eclectically and raffishly combined. “What I really wanted to express was the free soul of the artist, and how he creates his own elegance,” said Curradi backstage. “There were elements mixed from the ’90s, the ’80s, and the ’40s.” The result was a collection that did all the hard work in conjuring an aura of insouciant panache so its wearers won’t have to. Salut! Robert Geller is about to embark on a yearlong sabbatical to Portugal with his family, taking a pause from the New York fashion world for a bit. The connection between Geller’s stepping back from the circus of fashion and his circus-themed Spring 2020 collection isn’t that direct he says he started to think of the circus and Sarah Moon’s hazy photographs on a flight last year but it’s hard not to draw a comparison. Even without the pomp and circumstance of a show, Geller is making some of American fashion’s most show-stopping menswear. As always, his base is his materials and dyes. In the former category, he has incorporated spandex into more of his fabrications, inspired by his ongoing collaboration with Lululemon. Geller’s comfortable, athletic garments have only become more agile. Even more invigorating is his new palette. Rather than labor over an exact shade of sandstone or clay, as he often does, Geller’s ditched his earth tones this season in favor of something more fabulous. The slime green stripes that cut through a nylon coat or the metallic azures that make up a shimmering suit are far more electric than what we’ve come to expect from the earthy designer. But if it’s not evident yet, Geller is ready for a change. The experimentation doesn’t stop there. For the first time in Geller’s career, he is using sequins on tanks, trousers, and shorts. “I wanted to get myself out of my comfort zone,” he explains. It’s a funny way of putting it; the backs of the sequin garments are actually made of nylon ripstop, so they are comfortable to sit in. Even with a fantastical mood haunting this season, amplified by wigs by Chrystoph Marten, Geller can’t help but be pragmatic. Yes it is a bubble, although most people want to believe it is not. If you study the fundamentals like the Income Statements quarterly for the past 12 quarters you will find that fundamentals are lagging for many of this high-flying companies. If a company has negative earnings, as some tech companies that are being speculated do have negative or declining earnings or revenues or both, then this is considered a bubble. This is why the several tons of damp clay taken from the L.A. studio of British artist Thomas Houseago—who has a statue currently installed in the center of the Palais de Tokyo courtyard as part of his “Almost Human” show at the Musee de l’Art Moderne—made for such a fitting addition to this show’s mise-en-scène. Houseago, Owens reported, had been on set to oversee the installation of the clay and even ended up creating a small sculpture (one that Owens fully intended to pinch, fire, and add to his collection). Houseago was just one in a chorus of creative voices that harmonized around this collection. Although there were some very overtly personal and Mexican touches, such as sequins reflecting China Poblana festival wear and the Aztec Eagle logo of the United Farm Workers’ association, for whose Mexican migrant pickers Owens’s father often worked as a translator in the California courts (these garments and a piece of jewelry will be sold to benefit the UFW), he said he was very careful to avoid the folkloric side of Mexican culture. Instead, he said, he had become fascinated with the effect of Mexican culture on the work of Josef and Anni Albers, the subject of a recent-ish show at the Guggenheim. Owens expounded: “I loved that combination of modernism with something so ancient. Looking at the drawings they made that were inspired by the sites was the Mexico angle I wanted.” With the exception of some Perspex-heeled platforms and rough tire-sole cowskin sandals that caused much trepidation as the models descended steps while keeping their eyes fixed on the pit, it was also a collection abrim with highly wearable pieces. Personally I loved the cotton jackets in black and white set with austere, angled grids of ribbon and lacing, which was sometimes reflected in a riot of lacing on a Veja collab sneaker and looped into the fabric of some loose wool track pants. The sequins incorporated one-color oversize tailoring and looked pleasingly sleazy, while metallic-finished outerwear boasted a brutal industrial shimmer. In collaboration with Champion, Owens primitivized its cotton jersey via transformation into togas and loincloths. The fundamentals of most companies are not keeping up with the financial damage done by the pandemic and as the US continues to have soaring covid cases this will further create more stress on corporations. For now speculation is running ahead of the fundamentals especially for this quarter. Biotechnology is in a huge bubble in terms of the numbers of new Biotech IPOs being underwritten that have no revenues or earnings but retail investor rush to buy them. Daisuke Obana recently went to London and decided to run by all of the city’s iconic fashion spots, from Savile Row to Worlds End to Portobello Road. “It was really a tourist trip,” he said with a laugh. Still, the designer found fresh inspiration in those staid signposts. Though the idea of reworked British classics has been done to death, Obama executed his version precisely enough that it still came through clearly as N.Hoolywood. A spare presentation unfolded at the BMCC Tribeca Performing Arts Center, a shoebox theater that was left pitch black, save for four central spotlights. To the sounds of Beethoven, models walked out one by one and stood briefly before the audience, a somewhat performative show that referenced the installations Obana first created when he started, 18 seasons ago. Given the twist on British fashion, one saw all the usual tropes: trench coats and schoolboy shorts and pinstripe suits, as well as a punky red plaid, which Obama had pulled from Undercover designer Jun Takahashi’s archive. (A special tag read “Rebel Print by Undercover.”) Obama also created a graphic of pharmaceutical pills, which could have read as a tired reference to punk drug culture, but it actually came from an oddly pleasing spam email that reminded Obana of English artist Damien Hirst’s 1992 “Pharmacy” installation and helped make it his own. Federico Curradi is finding his groove at Rochas. This annoyingly standing-format show (how to type?) was packed full of engaging all-organic garments, soft and flowing, and bohemian. Curradi said he’s trying to make an artist’s wardrobe and who doesn’t want to look like an “artist,” right? Since decamping to Paris from Florence, he’s tried to suffuse himself in Frenchness, and for this collection consulted Ed van der Elsken’s Love on the Left Bank and Helena Janeczek’s The Girl With the Leica what a story with which to conjure atmospheric touches to his garments. Inspired by Gerda Taro’s bravery and resolve (if you don’t know it, please Google her story; it’s amazing), he incorporated soft embroidery detailing on weathered military-uniform-inspired trenches and shirting in silk and cotton. Not intentionally, but back when Nylon was a fashionable material for swimwear, I’ve deliberately bought one a size or two too small (since they used to stretch very well!), forgetting that Nylon also becomes a LOT more translucent when wet. Wore that number on a local beach, and had a mortifying experience after a swim. Suffice to say relatives told me that I may as well have been completely naked – so that was the last time that item was worn. 6 Available products for I paused my game to be here shirt: Classic Men’s Shirt Classic Women’s Shirt Women’s The Boyfriend Tee Women’s Heather Wicking Tee Women’s Scoop Neck T-shirt Women’s Slouchy top Women’s Organic Tee Men’s Short Sleeve Tee Unisex Jersey Short Sleeve Tee Men’s Cotton Crew Tee Unisex Ultra Cotton Tee Men’s Heather Dri-Fit Tee Men’s Polo Shirt Men’s Jersey Polo Shirt Unisex Ringer Tee Men’s Lightweight Fashion Tee Men’s V-Neck Unisex Jersey Short Sleeve V-Neck Tee Women V-Neck Women’s Jersey Short Sleeve Deep V-Neck Tee Unisex Hoodie Unisex Heavy Blend™ Full-Zip Hooded Sweatshirt Men’s Lightweight Zip Hooded Sweatshirt Unisex French Terry Zip Hoodie AOP Unisex Zip Hoodie Unisex Longsleeve Unisex Jersey Long Sleeve Tee Unisex 3/4 Sleeve Baseball Tee Unisex Tri-Blend 3/4 Raglan Tee Men’s Varsity Jacket Youth T-shirt Sweatshirt Unisex Tank Top Men’s Sleeveless Performance Tee Women’s Cut & Sew Racerback Dress Women’s Pencil Skirt Women’s Cut & Sew Casual Leggings Women’s Sponge Fleece Wide Neck Sweatshirt Kids Regular Fit Tee Infant Long Sleeve Bodysuit Mug $22.99 Phone Case Bags Unisex Flip-Flops Available Size: XS, S, M, L, XL, 2XL, 3XL, 4XL, 5XL Available Color: Black, Cardinal Red, Forest Green, Gold, Navy, Royal, Sport Grey, White… Visit Etsytees This product belong to trung-cuong I Paused My Game To Be Here 8 Bit T Shirt Not only the products are shown in the selection, but we also offer other products with this design. Below is a list of products available, Please contact us if you do not see this product in our product options. We will contact you within 12 hours And you will have the product according to your requirements, see more on the available products. Click here to buy this shirt: Click here to buy this I paused my game to be here shirt Silhouettes were full, and the assembly of pieces used to achieve them—what the designer called a “potpourri”—was eclectically and raffishly combined. “What I really wanted to express was the free soul of the artist, and how he creates his own elegance,” said Curradi backstage. “There were elements mixed from the ’90s, the ’80s, and the ’40s.” The result was a collection that did all the hard work in conjuring an aura of insouciant panache so its wearers won’t have to. Salut! Robert Geller is about to embark on a yearlong sabbatical to Portugal with his family, taking a pause from the New York fashion world for a bit. The connection between Geller’s stepping back from the circus of fashion and his circus-themed Spring 2020 collection isn’t that direct he says he started to think of the circus and Sarah Moon’s hazy photographs on a flight last year but it’s hard not to draw a comparison. Even without the pomp and circumstance of a show, Geller is making some of American fashion’s most show-stopping menswear. As always, his base is his materials and dyes. In the former category, he has incorporated spandex into more of his fabrications, inspired by his ongoing collaboration with Lululemon. Geller’s comfortable, athletic garments have only become more agile. Even more invigorating is his new palette. Rather than labor over an exact shade of sandstone or clay, as he often does, Geller’s ditched his earth tones this season in favor of something more fabulous. The slime green stripes that cut through a nylon coat or the metallic azures that make up a shimmering suit are far more electric than what we’ve come to expect from the earthy designer. But if it’s not evident yet, Geller is ready for a change. The experimentation doesn’t stop there. For the first time in Geller’s career, he is using sequins on tanks, trousers, and shorts. “I wanted to get myself out of my comfort zone,” he explains. It’s a funny way of putting it; the backs of the sequin garments are actually made of nylon ripstop, so they are comfortable to sit in. Even with a fantastical mood haunting this season, amplified by wigs by Chrystoph Marten, Geller can’t help but be pragmatic. Yes it is a bubble, although most people want to believe it is not. If you study the fundamentals like the Income Statements quarterly for the past 12 quarters you will find that fundamentals are lagging for many of this high-flying companies. If a company has negative earnings, as some tech companies that are being speculated do have negative or declining earnings or revenues or both, then this is considered a bubble. This is why the several tons of damp clay taken from the L.A. studio of British artist Thomas Houseago—who has a statue currently installed in the center of the Palais de Tokyo courtyard as part of his “Almost Human” show at the Musee de l’Art Moderne—made for such a fitting addition to this show’s mise-en-scène. Houseago, Owens reported, had been on set to oversee the installation of the clay and even ended up creating a small sculpture (one that Owens fully intended to pinch, fire, and add to his collection). Houseago was just one in a chorus of creative voices that harmonized around this collection. Although there were some very overtly personal and Mexican touches, such as sequins reflecting China Poblana festival wear and the Aztec Eagle logo of the United Farm Workers’ association, for whose Mexican migrant pickers Owens’s father often worked as a translator in the California courts (these garments and a piece of jewelry will be sold to benefit the UFW), he said he was very careful to avoid the folkloric side of Mexican culture. Instead, he said, he had become fascinated with the effect of Mexican culture on the work of Josef and Anni Albers, the subject of a recent-ish show at the Guggenheim. Owens expounded: “I loved that combination of modernism with something so ancient. Looking at the drawings they made that were inspired by the sites was the Mexico angle I wanted.” With the exception of some Perspex-heeled platforms and rough tire-sole cowskin sandals that caused much trepidation as the models descended steps while keeping their eyes fixed on the pit, it was also a collection abrim with highly wearable pieces. Personally I loved the cotton jackets in black and white set with austere, angled grids of ribbon and lacing, which was sometimes reflected in a riot of lacing on a Veja collab sneaker and looped into the fabric of some loose wool track pants. The sequins incorporated one-color oversize tailoring and looked pleasingly sleazy, while metallic-finished outerwear boasted a brutal industrial shimmer. In collaboration with Champion, Owens primitivized its cotton jersey via transformation into togas and loincloths. The fundamentals of most companies are not keeping up with the financial damage done by the pandemic and as the US continues to have soaring covid cases this will further create more stress on corporations. For now speculation is running ahead of the fundamentals especially for this quarter. Biotechnology is in a huge bubble in terms of the numbers of new Biotech IPOs being underwritten that have no revenues or earnings but retail investor rush to buy them. Daisuke Obana recently went to London and decided to run by all of the city’s iconic fashion spots, from Savile Row to Worlds End to Portobello Road. “It was really a tourist trip,” he said with a laugh. Still, the designer found fresh inspiration in those staid signposts. Though the idea of reworked British classics has been done to death, Obama executed his version precisely enough that it still came through clearly as N.Hoolywood. A spare presentation unfolded at the BMCC Tribeca Performing Arts Center, a shoebox theater that was left pitch black, save for four central spotlights. To the sounds of Beethoven, models walked out one by one and stood briefly before the audience, a somewhat performative show that referenced the installations Obana first created when he started, 18 seasons ago. Given the twist on British fashion, one saw all the usual tropes: trench coats and schoolboy shorts and pinstripe suits, as well as a punky red plaid, which Obama had pulled from Undercover designer Jun Takahashi’s archive. (A special tag read “Rebel Print by Undercover.”) Obama also created a graphic of pharmaceutical pills, which could have read as a tired reference to punk drug culture, but it actually came from an oddly pleasing spam email that reminded Obana of English artist Damien Hirst’s 1992 “Pharmacy” installation and helped make it his own. Federico Curradi is finding his groove at Rochas. This annoyingly standing-format show (how to type?) was packed full of engaging all-organic garments, soft and flowing, and bohemian. Curradi said he’s trying to make an artist’s wardrobe and who doesn’t want to look like an “artist,” right? Since decamping to Paris from Florence, he’s tried to suffuse himself in Frenchness, and for this collection consulted Ed van der Elsken’s Love on the Left Bank and Helena Janeczek’s The Girl With the Leica what a story with which to conjure atmospheric touches to his garments. Inspired by Gerda Taro’s bravery and resolve (if you don’t know it, please Google her story; it’s amazing), he incorporated soft embroidery detailing on weathered military-uniform-inspired trenches and shirting in silk and cotton. Not intentionally, but back when Nylon was a fashionable material for swimwear, I’ve deliberately bought one a size or two too small (since they used to stretch very well!), forgetting that Nylon also becomes a LOT more translucent when wet. Wore that number on a local beach, and had a mortifying experience after a swim. 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