I'd Rather Be At The Casino T Shirt
This is one great way to put your personal stamp on a gift for someone special (or tailor it specifically to that someone special’s style). Start from scratch to make your own concert t-shirts, college t-shirts, funny t-shirts, gym t-shirts, mothers day t-shirt, fathers day shirts, valentines day shirts, birthday shirts or much more special occasions. Every order is reviewed by an expert artist, confirming that your design turns out exactly the way you envisioned it! Custom clothing is also an excellent gift idea for tradeshows, reunions or corporate gifts. If you love this shirt, please click on the link to buy it now: https://nvdteeshirt.com/product/wolf-your-first-mistake-was-to-assume-id-be-one-of-the-sheep-shirt/ I love belts as much as the next person, but something in Netflix’s new show Emily in Paris is making me want to live a fully elasticated life. I love Paris, too, but the show is making me rethink the intriguing city. If you haven’t seen Emily in Paris, it follows a plucky social-media strategist on a European sojourn. She has a job she loves, but her colleagues—drawn crudely in nearly racist pencil strokes—are alienating-ly chic (I suspect they have a vicious WhatsApp group devoted to her brash Americanness). Lily Collins, despite the unavailability of effective rom and com in the script, dexterously shimmies the show from scene to scene with her relentless charm. I’m finding it hard to care which of the almost-identical Frenchmen Emily will end up with, but Emily in Paris has glimpses of absolutely excellent writing—her boss would “rather have a cigarette than lunch,” Chicago deep-dish pizza is likened to a quiche full of cement, Emily is savagely described as having “no references.” The show is styled by the brilliantly irreverent Patricia Field, a woman who always wields the character extension of wardrobe with ease, but we have to talk about the frankly mad way Emily dresses. Her Parisian looks are a little on the nose: Emily in a sheer etching of the Eiffel Tower; Emily dressed as a Café Flore tablecloth; Emily as Audrey Hepburn at the opera. The rest of her wardrobe seems to be cribbed from a smooth TikTok algorithm. It’s almost like Field’s doing a sarcastic quip about Carrie Bradshaw’s penchant for pairing florals with aggressive accessories—a studded cummerbund on an Oscar de la Renta, a bouquet of roses as a bomber. The garments as individual pieces hold no malice—miniskirts and boots, a gingham short suit—but the way Emily’s ensembles are put together cheese-grates my eyes; it’s like all my apps are notifying me at the same time. The accessorizing is a blunt instrument, bludgeoning you with an Eiffel Tower charm, and whatever the look, your eye is drawn to a shouldn’t-work-and-doesn’t belt, a jarring circumference of leather. The styling has to be a deliberate plot device, surely? Will Emily transition from beret-wearing TikTok influencer into a beret-wearing chic French native? We have ten episodes to find out. And that’s the rub with the show; something about it has gotten under our collective skin. The Internet is ablaze with people hate-watching episodes and bemoaning the ruinous treatment of Paris, the tacky clothing. Some TV shows make you feel safe, some are aspirational, some are windows to the lives of people on the fringes of humanity (I’m thinking of the true-crime phenomenon here). What we see in Emily in Paris isn’t aspirational, it’s achingly close to the lives we lead—all outfits and social media and witty puns to lessen our brags. The show pokes holes in how we all operate and we don’t like it one bit. It’s not only Emily who’s rendered Paris a caricature. Who among us has never Instagrammed a croissant? Or an outfit? Where New York was the fifth main character in Sex and the City, Paris is central to narrative ongoings. After a slightly exhausting, trés cliché, bingo-card of berets, baguettes, croissants, and Champagne, the Paris I keep in my head feels less vibrant. The show effectively whittles the Parisian lifestyle to a glib rotation of patisseries and soirees, a beige blanket over the city. The show challenges our universal Francophilia. There’s a rampant cliché that the French are chic and refined, and Emily—with her social posts that do staggering numbers in a matter of weeks—sees Paris the way so many of us do: picturesque and promising. Product detail for this product: Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get. Material Type: 35% Cotton – 65% Polyester Soft material feels great on your skin and very light Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes Taped neck and shoulders for comfort and style Print: Dye-sublimation printing, colors won’t fade or peel Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary Vist our store at: https://nvdteeshirt.com This product belong to cnhat I'd Rather Be At The Casino T Shirt This is one great way to put your personal stamp on a gift for someone special (or tailor it specifically to that someone special’s style). Start from scratch to make your own concert t-shirts, college t-shirts, funny t-shirts, gym t-shirts, mothers day t-shirt, fathers day shirts, valentines day shirts, birthday shirts or much more special occasions. Every order is reviewed by an expert artist, confirming that your design turns out exactly the way you envisioned it! Custom clothing is also an excellent gift idea for tradeshows, reunions or corporate gifts. If you love this shirt, please click on the link to buy it now: https://nvdteeshirt.com/product/wolf-your-first-mistake-was-to-assume-id-be-one-of-the-sheep-shirt/ I love belts as much as the next person, but something in Netflix’s new show Emily in Paris is making me want to live a fully elasticated life. I love Paris, too, but the show is making me rethink the intriguing city. If you haven’t seen Emily in Paris, it follows a plucky social-media strategist on a European sojourn. She has a job she loves, but her colleagues—drawn crudely in nearly racist pencil strokes—are alienating-ly chic (I suspect they have a vicious WhatsApp group devoted to her brash Americanness). Lily Collins, despite the unavailability of effective rom and com in the script, dexterously shimmies the show from scene to scene with her relentless charm. I’m finding it hard to care which of the almost-identical Frenchmen Emily will end up with, but Emily in Paris has glimpses of absolutely excellent writing—her boss would “rather have a cigarette than lunch,” Chicago deep-dish pizza is likened to a quiche full of cement, Emily is savagely described as having “no references.” The show is styled by the brilliantly irreverent Patricia Field, a woman who always wields the character extension of wardrobe with ease, but we have to talk about the frankly mad way Emily dresses. Her Parisian looks are a little on the nose: Emily in a sheer etching of the Eiffel Tower; Emily dressed as a Café Flore tablecloth; Emily as Audrey Hepburn at the opera. The rest of her wardrobe seems to be cribbed from a smooth TikTok algorithm. It’s almost like Field’s doing a sarcastic quip about Carrie Bradshaw’s penchant for pairing florals with aggressive accessories—a studded cummerbund on an Oscar de la Renta, a bouquet of roses as a bomber. The garments as individual pieces hold no malice—miniskirts and boots, a gingham short suit—but the way Emily’s ensembles are put together cheese-grates my eyes; it’s like all my apps are notifying me at the same time. The accessorizing is a blunt instrument, bludgeoning you with an Eiffel Tower charm, and whatever the look, your eye is drawn to a shouldn’t-work-and-doesn’t belt, a jarring circumference of leather. The styling has to be a deliberate plot device, surely? Will Emily transition from beret-wearing TikTok influencer into a beret-wearing chic French native? We have ten episodes to find out. And that’s the rub with the show; something about it has gotten under our collective skin. The Internet is ablaze with people hate-watching episodes and bemoaning the ruinous treatment of Paris, the tacky clothing. Some TV shows make you feel safe, some are aspirational, some are windows to the lives of people on the fringes of humanity (I’m thinking of the true-crime phenomenon here). What we see in Emily in Paris isn’t aspirational, it’s achingly close to the lives we lead—all outfits and social media and witty puns to lessen our brags. The show pokes holes in how we all operate and we don’t like it one bit. It’s not only Emily who’s rendered Paris a caricature. Who among us has never Instagrammed a croissant? Or an outfit? Where New York was the fifth main character in Sex and the City, Paris is central to narrative ongoings. After a slightly exhausting, trés cliché, bingo-card of berets, baguettes, croissants, and Champagne, the Paris I keep in my head feels less vibrant. The show effectively whittles the Parisian lifestyle to a glib rotation of patisseries and soirees, a beige blanket over the city. The show challenges our universal Francophilia. There’s a rampant cliché that the French are chic and refined, and Emily—with her social posts that do staggering numbers in a matter of weeks—sees Paris the way so many of us do: picturesque and promising. Product detail for this product: Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get. Material Type: 35% Cotton – 65% Polyester Soft material feels great on your skin and very light Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes Taped neck and shoulders for comfort and style Print: Dye-sublimation printing, colors won’t fade or peel Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary Vist our store at: https://nvdteeshirt.com This product belong to cnhat
This is one great way to put your personal stamp on a gift for someone special (or tailor it specifically to that someone special’s style). Start from scratch to make your own concert t-shirts, college t-shirts, funny t-shirts, gym t-shirts, mothers day t-shirt, fathers day shirts, valentines day shirts, birthday shirts or much more special occasions. Every order is reviewed by an expert artist, confirming that your design turns out exactly the way you envisioned it! Custom clothing is also an excellent gift idea for tradeshows, reunions or corporate gifts. If you love this shirt, please click on the link to buy it now: https://nvdteeshirt.com/product/wolf-your-first-mistake-was-to-assume-id-be-one-of-the-sheep-shirt/ I love belts as much as the next person, but something in Netflix’s new show Emily in Paris is making me want to live a fully elasticated life. I love Paris, too, but the show is making me rethink the intriguing city. If you haven’t seen Emily in Paris, it follows a plucky social-media strategist on a European sojourn. She has a job she loves, but her colleagues—drawn crudely in nearly racist pencil strokes—are alienating-ly chic (I suspect they have a vicious WhatsApp group devoted to her brash Americanness). Lily Collins, despite the unavailability of effective rom and com in the script, dexterously shimmies the show from scene to scene with her relentless charm. I’m finding it hard to care which of the almost-identical Frenchmen Emily will end up with, but Emily in Paris has glimpses of absolutely excellent writing—her boss would “rather have a cigarette than lunch,” Chicago deep-dish pizza is likened to a quiche full of cement, Emily is savagely described as having “no references.” The show is styled by the brilliantly irreverent Patricia Field, a woman who always wields the character extension of wardrobe with ease, but we have to talk about the frankly mad way Emily dresses. Her Parisian looks are a little on the nose: Emily in a sheer etching of the Eiffel Tower; Emily dressed as a Café Flore tablecloth; Emily as Audrey Hepburn at the opera. The rest of her wardrobe seems to be cribbed from a smooth TikTok algorithm. It’s almost like Field’s doing a sarcastic quip about Carrie Bradshaw’s penchant for pairing florals with aggressive accessories—a studded cummerbund on an Oscar de la Renta, a bouquet of roses as a bomber. The garments as individual pieces hold no malice—miniskirts and boots, a gingham short suit—but the way Emily’s ensembles are put together cheese-grates my eyes; it’s like all my apps are notifying me at the same time. The accessorizing is a blunt instrument, bludgeoning you with an Eiffel Tower charm, and whatever the look, your eye is drawn to a shouldn’t-work-and-doesn’t belt, a jarring circumference of leather. The styling has to be a deliberate plot device, surely? Will Emily transition from beret-wearing TikTok influencer into a beret-wearing chic French native? We have ten episodes to find out. And that’s the rub with the show; something about it has gotten under our collective skin. The Internet is ablaze with people hate-watching episodes and bemoaning the ruinous treatment of Paris, the tacky clothing. Some TV shows make you feel safe, some are aspirational, some are windows to the lives of people on the fringes of humanity (I’m thinking of the true-crime phenomenon here). What we see in Emily in Paris isn’t aspirational, it’s achingly close to the lives we lead—all outfits and social media and witty puns to lessen our brags. The show pokes holes in how we all operate and we don’t like it one bit. It’s not only Emily who’s rendered Paris a caricature. Who among us has never Instagrammed a croissant? Or an outfit? Where New York was the fifth main character in Sex and the City, Paris is central to narrative ongoings. After a slightly exhausting, trés cliché, bingo-card of berets, baguettes, croissants, and Champagne, the Paris I keep in my head feels less vibrant. The show effectively whittles the Parisian lifestyle to a glib rotation of patisseries and soirees, a beige blanket over the city. The show challenges our universal Francophilia. There’s a rampant cliché that the French are chic and refined, and Emily—with her social posts that do staggering numbers in a matter of weeks—sees Paris the way so many of us do: picturesque and promising. Product detail for this product: Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get. Material Type: 35% Cotton – 65% Polyester Soft material feels great on your skin and very light Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes Taped neck and shoulders for comfort and style Print: Dye-sublimation printing, colors won’t fade or peel Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary Vist our store at: https://nvdteeshirt.com This product belong to cnhat I'd Rather Be At The Casino T Shirt This is one great way to put your personal stamp on a gift for someone special (or tailor it specifically to that someone special’s style). Start from scratch to make your own concert t-shirts, college t-shirts, funny t-shirts, gym t-shirts, mothers day t-shirt, fathers day shirts, valentines day shirts, birthday shirts or much more special occasions. Every order is reviewed by an expert artist, confirming that your design turns out exactly the way you envisioned it! Custom clothing is also an excellent gift idea for tradeshows, reunions or corporate gifts. If you love this shirt, please click on the link to buy it now: https://nvdteeshirt.com/product/wolf-your-first-mistake-was-to-assume-id-be-one-of-the-sheep-shirt/ I love belts as much as the next person, but something in Netflix’s new show Emily in Paris is making me want to live a fully elasticated life. I love Paris, too, but the show is making me rethink the intriguing city. If you haven’t seen Emily in Paris, it follows a plucky social-media strategist on a European sojourn. She has a job she loves, but her colleagues—drawn crudely in nearly racist pencil strokes—are alienating-ly chic (I suspect they have a vicious WhatsApp group devoted to her brash Americanness). Lily Collins, despite the unavailability of effective rom and com in the script, dexterously shimmies the show from scene to scene with her relentless charm. I’m finding it hard to care which of the almost-identical Frenchmen Emily will end up with, but Emily in Paris has glimpses of absolutely excellent writing—her boss would “rather have a cigarette than lunch,” Chicago deep-dish pizza is likened to a quiche full of cement, Emily is savagely described as having “no references.” The show is styled by the brilliantly irreverent Patricia Field, a woman who always wields the character extension of wardrobe with ease, but we have to talk about the frankly mad way Emily dresses. Her Parisian looks are a little on the nose: Emily in a sheer etching of the Eiffel Tower; Emily dressed as a Café Flore tablecloth; Emily as Audrey Hepburn at the opera. The rest of her wardrobe seems to be cribbed from a smooth TikTok algorithm. It’s almost like Field’s doing a sarcastic quip about Carrie Bradshaw’s penchant for pairing florals with aggressive accessories—a studded cummerbund on an Oscar de la Renta, a bouquet of roses as a bomber. The garments as individual pieces hold no malice—miniskirts and boots, a gingham short suit—but the way Emily’s ensembles are put together cheese-grates my eyes; it’s like all my apps are notifying me at the same time. The accessorizing is a blunt instrument, bludgeoning you with an Eiffel Tower charm, and whatever the look, your eye is drawn to a shouldn’t-work-and-doesn’t belt, a jarring circumference of leather. The styling has to be a deliberate plot device, surely? Will Emily transition from beret-wearing TikTok influencer into a beret-wearing chic French native? We have ten episodes to find out. And that’s the rub with the show; something about it has gotten under our collective skin. The Internet is ablaze with people hate-watching episodes and bemoaning the ruinous treatment of Paris, the tacky clothing. Some TV shows make you feel safe, some are aspirational, some are windows to the lives of people on the fringes of humanity (I’m thinking of the true-crime phenomenon here). What we see in Emily in Paris isn’t aspirational, it’s achingly close to the lives we lead—all outfits and social media and witty puns to lessen our brags. The show pokes holes in how we all operate and we don’t like it one bit. It’s not only Emily who’s rendered Paris a caricature. Who among us has never Instagrammed a croissant? Or an outfit? Where New York was the fifth main character in Sex and the City, Paris is central to narrative ongoings. After a slightly exhausting, trés cliché, bingo-card of berets, baguettes, croissants, and Champagne, the Paris I keep in my head feels less vibrant. The show effectively whittles the Parisian lifestyle to a glib rotation of patisseries and soirees, a beige blanket over the city. The show challenges our universal Francophilia. There’s a rampant cliché that the French are chic and refined, and Emily—with her social posts that do staggering numbers in a matter of weeks—sees Paris the way so many of us do: picturesque and promising. Product detail for this product: Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get. Material Type: 35% Cotton – 65% Polyester Soft material feels great on your skin and very light Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes Taped neck and shoulders for comfort and style Print: Dye-sublimation printing, colors won’t fade or peel Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary Vist our store at: https://nvdteeshirt.com This product belong to cnhat
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